Within the series OVERDOSE, Daniel Voelker alludes at the flood of images in which we swim daily. He coquets with the dominance of the visual by “delivering” the viewer an overdose of colors, shapes and impressions.

Erotic photographs serve as a basis for OVERDOSE. Daniel Voelker optimises their colours and superimposes up to 20 shots in a certain arrangement. Through the layering of the individual motifs, various image levels and views, the image details set up.Thus an impression of three-dimensionality is evoked.Voelker quotes the pixel by using a square pictorial space.